Study Hacks Blog

The Rule of Five

This morning I listened to Srini Rao interview Sarah Peck. Though most of the interview focuses on Peck’s personal life, toward the end they discuss her work as a business consultant.

During this segment, Peck mentioned an interesting heuristic I hadn’t heard before (I’m paraphrasing here): relying only on unstructured communication — e.g., just give everyone an email address or shared Slack channel and then rock and roll — works fine in organizations with five or less employees, but once you grow larger there is too much communication for people to comfortably keep track of everything just in their heads.

At this size, Peck notes, organizations need to introduce systems to document communication and to support structured decisions. It’s no longer enough to simply let emails and chats fly, and hope everything works out. You need more detailed and careful approaches to how people work.

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Late Night Depth

I recently reread Masters of Doom — David Kushner’s entertaining (though cheesily dialogued) history of id Software.

Something new caught my attention this time through the book.

Kushner revealed that id’s ace coder, John Carmack, adopted an aggressive tactic to increase his effectiveness while working on his breakthrough Quake engine: Carmack, seeking a break from distraction, began to shift the start of his workday one hour at a time, until eventually he was starting his programming in the evening and finishing before dawn.

The uninterrupted depth provided by this odd habit allowed Carmack (with help from graphics guru Michael Abrash) to reinvent electronic entertainment with the first lightening fast, fully 3D PC game engine.

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The Pullman Problem

A couple years ago, I stumbled across a series of articles from 1916, published in a business journal called System. The articles detail how the Pullman Company (famous for their eponymous train cars) arrested their slide away from profitability by systematically overhauling their operations.

As I detail in an essay I wrote for Fast Company, a big factor in Pullman’s early 20th century problems would sound familiar to early 21st century ears: communication overload.

As Pullman president, John Runnells, explained, many departments were run with “confusing unrelated systems [that] had been spontaneously developed.”

The result is that everyone was a little involved in everything — disrupting their ability to do their primary work.

If you wanted something from the brass works, to cite an example given in the 1916 articles, you would go over to the brass works and bother someone you knew until you got what you wanted– distracting both of you from your main value-producing crafts.

As Runnells sagely observed, if you don’t build optimized systems to handle logistics, the effort simply gets offloaded, in an ad hoc and disruptive manner, to everyone: “and every man contributing by that much [to these organizational efforts] demoralized his own particular work by the interruption.”

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Insights from Dirty Jobs

Earlier this week, I listened to Brett McKay’s interview with Mike Rowe. As you’ll learn if you listen to the conversation, following his stint as the host of Dirty Jobs, Rowe has become an advocate for the trades.

In this interview, as in many others, Rowe argues that skilled labor (think: plumbing, welding) can be both satisfying and lucrative, and yet there are still somewhere around three million such jobs left unfilled in this country. He credits this gap largely to a contemporary culture that demonizes blue collar work and preaches the best path is always a college degree, followed, God willing, by a pair of Warby Parker glasses and a job as a social media brand manager.

(I might have added that last part.)

I always find Rowe’s thoughts on shifting American work cultures interesting, but there’s a phrase he often uses in these discussions that has recently begun to draw my attention: efficiency versus effectiveness.

Rowe notes that knowledge work seems obsessed with efficiency, while the skilled trades seem more concerned with effectively solving problems (c.f., his infamous TED talk on sheep castration).

The former can be dehumanizing, while the latter tends to be satisfying.

Stepping away from the immediate context of Rowe’s advocacy, I think he has touched on an important point here that highlights a little-discussed problem rotting the core of the knowledge economy…

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The Deep Life of John Grisham

As longtime readers know, I enjoy tracking down the deep work habits of well known and highly accomplished individuals. This is why I was happy to recently stumble across a pair of interviews (here and here) in which the novelist John Grisham describes his professional routines.

Here’s what I learned…

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Method Writing

When James Michener was writing his epic 1978 novel, Chesapeake, he didn’t have to travel far for inspiration. At the time he lived in an old house, nestled on 25 acres, near the Choptank river on a creek that emptied into the eastern waters of Chesapeake Bay.

“He loved the sounds of the place,” explained Michener friend and collaborator Errol Lincoln Uys. “He would take long walks out to the end of the dock and stand there while he tried to figure something [about the book] out. He loved the sounds of the migrating ducks. He loved the nature of the place.”

By the time a couple from Baltimore bought the house from Michener in 1995, the novelist was long gone. In the early 1980s, he moved to Austin, to immerse himself in the rhythms of the Lone Star State while writing Texas.

These were not the only times Michener used location to inspire his work. After Texas, he moved temporarily to Sitka, Alaska, to work on his novel Alaska, and his original epic, Hawaii, was written during a period when Michener lived on the island.

There’s something aspirational about this idea of deploying grand gestures (to use a term from Deep Work) to push forward creative endeavors. I’m bringing it up here, however, because I think there’s a subtle point lurking in Michener’s nomadism that’s relevant to knowledge work in general…

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The Steampunk Phenomenon 

Steampunk began as a fiction genre that imagines alternative histories in which technology never moves past the steam-driven industrialism of the Victorian Age. It portrays worlds ruled by retro-futuristic inventions, like heavy-geared automata and whirring Babbage-style mechanical computers.

It has since expanded into its own aesthetic, impacting both fashion and design, as well as a thriving community of makers who retrofit 21st century artifacts with the stained woods and brass knobs of the 19th century (c.f., the above picture of a steampunk modem).

One reason steampunk resonates is its intuitive physicality. Our modern world of plastic cases and digital chips is mysterious and sterile. A steampunk contraption, by contrast, is driven by pistons and valves that match our mental schema for how things function in the physical world.

This physicality is appealing (an idea fleshed out thoughtfully in Matthew Crawford’s wonderful manifesto: Shop Class as Soulcraft). Put simply, we’re attracted to things whose function we can concretely grasp.

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