
I open Deep Work with the story of a stone tower that Carl Jung built on the shores of the upper lake of Zurich, near the small town of Bollingen. Jung would retreat to an inner sanctum inside the tower, modeled after meditation rooms he had seen on a tour of British controlled India, to think deeply about his breakthrough work on psychiatry and the collective unconscious.
It always struck me that Jung’s Bollingen Tower, as he called it, seemed almost purposefully fantastical, as if Jung was using its form to induce states of deeper creativity. The other day, while reading Anthony Steven’s insightful guide, Jung: A Very Short Introduction, I learned my instinct was right. As Stevens explains:



