Study Hacks

The Famous Dr. McLurkin

In 2008, when James McLurkin graduated with a PhD in Computer Science from MIT, he was unquestionably a star. Four years earlier, Time Magazine profiled James and his research on swarm robotics as part of their Innovators series. The next year, he was featured on an episode of Nova ScienceNOW. The producer of the show, WGBH in Boston, built an interactive web site dedicated to James, where, among other activities, you can watch a photo slide show of his life and find out what he carries in his backpack. Earlier this year, TheGrio, a popular African American-focused news portal, named James one of their 100 History Makers in the Making — a list that also includes Oprah Winfrey and Newark, NJ mayor Cory Booker.

Perhaps most telling, even my brother, who finished his systems engineering degree in 2002, knew of James. “He’s the guy with the robots,” he recalled. “We watched a video of him in class.”

In other words, James is famous in his field. So it’s not surprising that in 2009 he landed a professorship at Rice University — one of the country’s top engineering schools — in one of the worst academic job market in decades.

With these accomplishments in mind, this post asks two simple questions: How did James become such a star? And what lessons can we apply to our own quest to become remarkable?

The answers, as  you’ll soon encounter, are not what you might first expect…

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The Admissions Outliers

Olivia shouldn’t have been accepted to the University of Virginia. At least, not according to the conventional wisdom on college admissions.

Olivia attended a small private school near Portsmouth, New Hampshire. She had good grades and test scores, but nothing phenomenal. More striking, she maintained a minimal extracurricular schedule. During the school year, she was a member of the dance team, which satisfied her school’s athletic requirement. She also joined the tech crew for the school musical and was the co-chair of her senior class’s community service organization.

Combined, her school year activities required only seven to eight hours of effort per week.

During the summer, she worked in a marine zoology laboratory at the University of New Hampshire, studying lobsters and horseshoe crabs with a research group run by her neighbor, a professor at the university. She started as a part-time, unpaid volunteer, but the position  morphed into a full time summer job when the professor discovered extra money in his grant.

“It was not a big commitment at all,” Olivia told me, reflecting on her high school obligations.

Students familiar with competitive college admissions tend to have the same reaction to Olivia: she’s a solid applicant, but certainly not good enough to earn a spot at a top-twenty school like UVA. Research involvement has become a standard item on modern applications — the 21st century equivalent of becoming student council president –  and her school-year activities are nearly non-existent by the standards of most competitive applications.

Olivia, however, defied this reaction.  Not only was she accepted at UVA, she also won the hyper-competitive Jefferson Scholarship – a merit-based award, given out by UVA alumni, that covers the full cost of attending the school.

Most high school senior classes have a student like Olivia – someone who defies our understanding of who should get accepted to competitive colleges. We tend to attribute these outliers to the “randomness” of the admissions process. Indeed, even Olivia was surprised by her own success: “I wasn’t stressed like the other students at my school, because I wasn’t interested in trying to impress colleges,” she told me. “I still don’t understand how I got into UVA.”

In this article, by contrast, I argue that the success of students like Olivia is not the result of randomness. It instead points to a surprising possibility: perhaps our understanding of extracurricular activities and their role in the college process is all wrong.

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Predicting Greatness

The impact of teachers is profound. If you rank the world’s countries by their students’ academic performance, the US is somewhere in the middle. In a 2009 New Yorker article, Malcolm Gladwell notes that replacing “the bottom six percent to ten percent of public-school teachers with teachers of average quality” could be enough to close the gap between our current position and the top ranked countries.

“[Y]our child is actually better off in a ‘bad’ school with an excellent teacher than in an excellent school with a bad teacher,” Gladwell concludes.

But there’s a problem: “No one knows what a person with the potential to be a great teacher looks like.”

Or at least, according to Gladwell.

Teach for America, a non-profit that recruits outstanding college graduates to teach in low-income school districts, disagrees. This organization is fanatical about data.  For the past 20 years, they’ve gathered massive amounts of statistics on their teachers in an attempt to figure out why some succeed in the classroom and some fail. They then work backwards from these results to identify what traits best predict a potential recruit’s success.

As Amanda Ripley reports in a comprehensive look inside the Teach For America process, published in the Atlantic Monthly, the results of this outcome-based approach to hiring are “humbling.”

“I came into this with a bunch of theories,” the former head of admissions at Teach for America told Ripley. “I was proven wrong at least as many times as I was validated.”

When Teach for America first started 20 years ago, applicants were subjectively scored by interviewers on 12 general traits, like “communication” ability. (A sample interview question: “What is wind?”)  By contrast, if you were one of the 35,000 students who applied in 2009 (a pool that included 11% of Ivy League seniors), 30 data points, gathered from a combination of questionnaires, demonstrations, and interviews were fed into a detailed quantitative model that returned a hiring recommendation.

This data-driven approach seems to work.  As Ripley reports, in 2007, 24% of Teach for America teachers advanced their students at least one and a half grade levels or more. Two years later, as the organization’s models continued to evolve, this number has almost doubled to 44%.

I’m fascinated by Teach For America for a simple reason: the traits they discovered at the core of great teaching are unmistakably a variant of deliberate practice — not the pure, coach-driven practice of professional athletes and chess grandmasters, but a hearty, adaptable strain that’s applicable to almost any field.

Put another way, these outstanding teachers may have unwittingly cracked the code for generating a remarkable life…

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The Great Career

Laura loves what she does. To many people, myself included (I’ve known her for the past five years), she represents the Platonic ideal of  a great career.

Laura  is a database whiz. Companies hire her to wrangle their most gnarly data into streamlined structures. If you’re lucky enough to engage Laura, she’ll assemble a handpicked team of programmers and descend on your office for up to six months. She’ll then take your generous check back to her charming Jamaica Plain bungalow and set about finding novel ways to spend it.

She allows months to pass between projects — the paydays being ample enough to buy her as much downtime as she wants. She has used this time, among other pursuits, to earn a pilots license, learn to scuba dive, and travel through Asia.

In several earlier posts, I argued that mastering a rare and valuable skill is the key to generating a remarkable life — much more important than following your “passions” or matching your career (or academic major) to your personality.  It occurred to me, however, that to continue this discussion, we need to better understand our goal; that is, we need to figure out what exactly makes a remarkable life remarkable.

In this post, I’m going to tackle this question, using Laura as our running example of someone who has achieved the end result we have in mind…

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Becoming a Grandmaster

How do great chess players become great? If you read Malcom Gladwell’s Outliers, you probably have an answer: the 10,000 hour rule. This concept, which was first introduced in academic circles in the early 1970s, was popularized by Gladwell in his 2008 book.

Here’s how he summarized it in a recent interview:

When we look at any kind of cognitively complex field — for example, playing chess, writing fiction or being a neurosurgeon — we find that you are unlikely to master it unless you have practiced for 10,000 hours. That’s 20 hours a week for 10 years.

There seems to be no escape from this work. As Flordia State University Psychology Professor Anders Ericsson reminds us: “even the chess prodigy Bobby Fisher needed a preparation period of nine years.”

The full story, however, is more complex.  Gladwell is right when he notes that the 10,000 hour rule keeps appearing as a necessary condition for exceptional performance in many fields. But it’s not sufficient. As Ericsson, along with his colleague Andreas Lehmann, noted in an exceptional overview of this topic,   “the mere number of years of experience with relevant activities in a domain is typically only weakly related to performance.”

Put another way, you need to put in a lot of hours to become exceptional, but raw hours alone doesn’t cut it. 

To understand what else is necessary, I’ll turn your attention to a fascinating 2005 study on chess players, published in the journal Applied Cognitive Psychology. After interviewing two large samples of chess players of varied skill, the paper’s authors found that “serious study“  — the arduous task of reviewing past games of better players, trying to predict each move in advance — was the strongest predictor of chess skill.

In more detail:

…chess players at the highest skill level (i.e. grandmasters) expended about 5000 hours on serious study alone during their first decade of serious chess play – nearly five times the average amount reported by intermediate-level players.

Similar findings have been replicated in a variety of fields. To become exceptional you have to put in a lot of hours, but of equal importance, these hours have to be dedicated to the right type of work. A decade of serious chess playing will earn you an intermediate tournament ranking. But a decade of serious study of chess games can make you a grandmaster.

I’m summarizing this research here because I want to make a provocative claim: understanding this “right type of work” is perhaps the most important (and most under-appreciated) step toward building a remarkable life…

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The Courage Fallacy

In 2005, Lisa Feuer quit her marketing job. She had held this same position throughout her 30s before deciding, at the age of 38, that it was time for something different.

As the New York Times reported in an article from last summer, she wanted the same independence and flexibility that her ex-husband, an entrepreneur, enjoyed. Bolstered by this new resolve, Lisa invested in a $4000 yoga instruction course and started Karma Kids Yoga — a yoga practice focused on young children and pregnant women.

Lisa’s story provides a pristine example of what I call the choice-centric approach to building an interesting life. This philosophy emphasizes the importance of choosing better work. Having the courage to leave your boring but dangerously comfortable job – to borrow a phrase from Tim Ferriss – and instead follow your “passion,” has become the treasure map guiding this philosophy’s adherents. 

But there’s a problem: the endings are not always so happy…

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A Bluegrass Slog

I recently began taking bluegrass guitar lessons.

It hasn’t been easy.

The style is precise, which means that it requires an abundance of repetitious practicing.  A typical session might proceed as follows:

1. Listen to the same 10 - 30 second stretch of a song again and again, deconstructing the lead painfully, note by note, using your ear and a lot of trial and error.
2. Play this section of the lead again and again for another 30 minutes to an hour — rarely getting through more than a few phrases without a mistake that forces you to start over.

Repeat this enough times, with an increasingly complicated progression of songs, and a weekly check-in with a teacher to correct subtle mistakes in your technique, and you’ll eventually be able to make your way through some basic bluegrass tunes without embarrassing yourself. In other words, the path to becoming even a passable amateur is long and demanding.

I’m sharing these observations because I think they provide an interesting metaphor for the task of building a remarkable life...

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Notes from a Novelist’s Life

Justine Musk is the author of three novels with a fourth on its way. She specializes in dark fantasy and the supernatural, and has written for both adult and young adult audiences. She lives the standard writer-fantasy: making a living crafting titles dealing with subjects that fascinate her.

I’m bringing Justine to your attention because she recently published a pair of insightful blog posts that dissect her journey into professional writing. This story is relevant to our mission here, as the goal of becoming a popular writer can be a stand-in for almost any quest to “become so good they can’t ignore you.” And as I’ve argued again and again, it’s this building of an outstanding ability — not the display of raw diligence — that ultimately generates remarkable lives.

I will leave the task of fully ingesting Justine’s posts to you. But I wanted to first mention a few key observations:

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